BLOOD WEDDING

Serbian National Theatre, Novi Sad and PI “Theatre City“, Budva

Federico García Lorca
BLOOD WEDDING

Director: Igor Vuk Torbica
Stage design: Branko Hojnik
Costume design: Jelisaveta Tatić Čuturilo
Composer: Vladimir Pejković
Voice coach: Dejan Sredojević, PhD
Lighting design: Milica Stojšić
Assistant to Director: Stefan Čamdžić
Assistant to Stage designer: Andreja Rondović
Assistant to Costume designer: Snežana Horvat

Characters
The Mother of the Groom
Varja Đukić

The Bride
Milica Grujičić

Leonardo’s Mother-in-law
Ivana Mrvaljević

Leonardo
Pavle Popović

Leonardo’s wife
Branka Stanić

The Groom
Vukašin Ranđelović

Father
Miroslav Fabri

The Neighbour (woman) and beggar (Death)
Draginja Voganjac

The Maid
Maja Stojanović

First woodcutter
Dušan Vukašinović

Second woodcutter
Filip Đuretić

The Moon
Nenad Pećinar

General Manager of Serbian National Theatre: Zoran Đerić, PhD
Director of Drama Department Serbian National Theatre: Milovan Filipović
Director of PI “Theatre City“: Milena Lubarda Marojević

Producers: Elizabeta Fabri, Mirela Adrović Šofranac
Technical directors: Saša Senković, Dušan Knežević
Stage manager: Zoltan Bešenji
Prompting: Snežana Kovačević
Organization: Ana Kruta Smailagić, Bojana Sklender
Design: Igor Vuk Torbica, Merin Smailagić
Photography: Srđan Pablo Doroški, Slaven Vilus

Stage set manufactured in Serbian National Theatre workshops, Novi Sad.
Male costumes: Goran Trajković
Female costumes: Katalin Gero
Shoemaking: Zoran Kosanović
Hats: Veljko Anđelković
Fashion details: Aleksandra Kovačević

Premiere at the XXXII festival “Theatre City“ On 09 August 2018, 21:00, stage between churches, Old Town, Budva, repeating on 10, 11 and 12 August
Premiere at the SNT in Novi Sad: 18 September 2018, “Pera Dobrinović“ stage

Running time: 1 hour and 15 minutes

“Although tragical in its core, Lorca’s drama in this magically aestheticized, outstanding play by Igor Vuk Torbica, manages to generate an exceptional serenity. Despite tragical unravelling, the true love has broken down the unnaturally erected walls, thus celebrating the triumph of freedom.“
Ana Tasić, “Politika“, August 2018.